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 Churches of Strasbourg - sights of Strasbourg, photo, description. Cathedrals of Strasbourg Clock in the Cathedral of Strasbourg

Goethe called it "the sublime tree of God", and Victor Hugo called it "a gigantic graceful marvel". All these poetic epithets describe Cathedral in Strasbourg, a French city bordering Germany. For two centuries this building was the tallest in the world. The spire of the cathedral can be seen far beyond Strasbourg. Its silhouette against the reddening pre-sunset sky is the hallmark of the city. The spire is visible even from the other side of the Rhine, along which the modern border runs. Therefore, the Strasbourg Cathedral in Germany is considered almost their own (taking into account the history of Alsace and Lorraine). This church is both majestic and elegant. Even in the twenty-first century, the era of skyscrapers, Strasbourg's Notre Dame is the sixth tallest temple in the world. It also holds the lead as the largest building made of such a short-lived stone as sandstone. Let's take a virtual tour of this unique gothic temple.

How to get to Strasbourg Cathedral

Finding this building is not difficult - the 142-meter tower is visible from afar. But the center of Strasbourg was built on an island surrounded by the river Ile. Dense half-timbered buildings with overhanging balconies along narrow medieval streets block the view. There are so many interesting sights around that it is just right to forget where you intended to come. Strasbourg Cathedral suddenly appears in all its glory in the narrow opening of Rue Mercier. You can get to it by crossing the bridge along the Vieux March Aux Poisson (near the Historical Museum). From this position, take a picture of him. If you get closer, you can capture only fragments of the facades, but not the whole handsome giant. By the way, on the right side of Mercier Street there is an old half-timbered house of Kammerzel (XV century), decorated with wooden sculptures - now there is a large souvenir shop.

Cathedral in Strasbourg: history

Modern Alsace was once part of the vast Roman Empire. Therefore, it is not surprising that a pagan temple stood in the very center of the Gallic settlement of Argentoratum. Much later, Strasbourg got its modern name from two German words: "strasse" - a road and "burg" - a castle or a fortified city. When Christianity became the dominant religion, the pagan temple was destroyed, and a church was built in its place. Around the year 1000, the population of the "City on the Roads" increased so much that a need arose for a cathedral. The first stone for the construction was laid by Bishop Werner of Habsburg in 1015. Naturally, in terms of planning, it was a typical Romanesque cathedral. A fire in 1176 destroyed the wooden roof and the upper floors. Therefore, it was decided to build a cathedral of stone. It was brought from the nearest mountains - the Vosges. This sandstone has an amazing property of glowing pink at sunset or sunrise.

Strasbourg Cathedral (France) and episcopal vanity

In the thirteenth century, Gothic was in vogue. The cities of Western Europe competed among themselves who would build the highest, largest and most beautiful House of God. The bishop of Strasbourg was haunted by the laurels of his Basel, Ulm and Cologne colleagues. Therefore, he spared no expense to hire the most fashionable (and highly paid) architects to build his cathedral. Of course, he did not wait for the end of the work and did not see the majestic creation. After the death of the bishop, the construction was paid for by the municipality - consuls and ordinary citizens. And so it happened that the eastern and southern portals, as well as the choir, were made in the Romanesque style, and the western part with the northern tower was in the Gothic style. By the way, the plan provided for the construction of its one, southern, spire. But the city simply did not have enough time for it. The asymmetrical design also makes it unique. And the 142-meter north tower was completed only in 1439.

Western facade

We are not in a hurry to go inside. An invariable ritual of all tourists is a leisurely and thoughtful tour of the majestic building. Strasbourg Cathedral in France is famous for its western façade. This is a real masterpiece of high gothic. One of the architects was Erwin von Steinbach. He in 1284 designed the western façade, with a thousand sculptures and an elegant rosette window. When there was not enough money for the construction, the architect sold his horse and donated the required amount. In the fourteenth century, Ulrich von Ensingen, the creator of the cathedral in Ulm, became the main architect. And the famous North Tower was completed by Johann Hultz, a master from Cologne. Thousands of stone sculptures and ornaments that adorn the western facade of the Strasbourg Cathedral are included in all textbooks on medieval Gothic. Wonderful stained glass windows are best viewed from the inside. They were taken away by the Nazis during the last World War, but later the German government returned them along with stolen tapestries and paintings.

South traverse facade

Strasbourg Cathedral is worth visiting in its entirety. It is not only the tall spire and the western facade richly decorated with sculptures that attract attention. The southern traverse with the entrance is also very interesting. It is decorated with the no less famous sculptural group "Church and Synagogue". During the crusade against the Albigensians, this story was rethought as the struggle of the Roman Papacy with dissident Christian beliefs. The gargoyles, which serve as rain gutters, seem to say: "There is no Salvation outside the Catholic Church." In the Gothic facade on the triple portal of the main entrance, we see the scene of the adoration of the Magi. There are sculptures of the prophets of the Old Testament and the martyrs of the New. Allegorical figures depict Sins and Virtues.

Interior sights

And now let's go inside the cathedral, especially since the entrance to it is free. The Strasbourg Cathedral continues to perform its functions as a functioning temple, therefore, during the services, the entrance to it is limited for tourists. Inside the church is decorated no less luxuriously than outside. It's good to come here on a sunny day - then the stained-glass windows look especially impressive. What not to miss in Strasbourg Cathedral? This is a baptismal font created in the middle of the fifteenth century by the sculptor Dotzinger. Tapestries, paintings on religious subjects, an old organ attract attention. The pulpit is very beautiful, decorated with numerous statues belonging to the chisel of Hans Hammer. You also need to look beyond and see the painting by Nicolas Raeder (in the north transept).

Tower

Be sure to climb the spire that crowns the Strasbourg Cathedral. Strasbourg from the observation deck - at a glance. In addition, you can see some sculptures and gargoyles up close. If it will be difficult to climb a narrow spiral staircase, remember: these steps were overcome by Stendhal and Goethe. And the latter did it every day while he studied at the University of Strasbourg. So he was cured of a phobia of heights. This spire until the eighteenth century (until the Cologne Cathedral was completed) remained the highest structure. It is noteworthy that during the French Revolution they wanted to destroy the bell tower. Say, she leveled the principle of equality. But the locals decorated it (with a symbol of freedom), and the ideological intensity of the revolutionaries was removed. Entrance to the tower is paid: 4.5 euros for an adult and 2.5 for children and students.

astronomical clock

If you buy a ticket for the North Tower, you can also visit the choirs that go along the upper tier of the entire cathedral. This will give you a unique opportunity to take a closer look at the stained glass windows and beautiful Gothic rosettes. But in the temple there is another paid attraction for tourists. This is the Strasbourg Cathedral. The third chronometer was improved and installed in 1832. Before him, clocks with astronomical functions had faithfully served the city since 1574. The first chronometer has been mentioned since 1353. What is interesting about the Strasbourg Cathedral clock? The complex mechanism shows the orbits of the Earth and the Moon, as well as all the planets known at that time. In addition, on New Year's Eve, the clock makes a full turn and shows the dates on which the "floating" Catholic holidays (Easter, Ascension, Pentecost) fall. The gear of the mechanism, which rotates the slowest, is responsible for determining It will make a complete revolution (if, of course, the chronometer survives) in twenty-five thousand eight hundred years.

Events

Strasbourg Cathedral has always played a key role in the life of the city. Not only are liturgies held here. On Sunday mornings, you can listen to the Gregorian Chapel in the cathedral. Very often, organ concerts are held here, in which an old, richly decorated instrument is involved. It is especially good to come to Strasbourg in summer. Firstly, the weather is conducive to walking and sailing along the canals on boats. In the cold season, they also ply, but their top is glazed. As a bonus, summer tourists are given the opportunity to see a beautiful sight. Various concerts are held every evening on the square in front of the cathedral. Many spotlights illuminate the walls of the majestic building in time with the music, which makes it seem that the statues on the facades come to life.

City and its attractions

Strasbourg Cathedral is a kind of dominant. But the tourist attractions of the city are not limited to it. Of course, it is necessary to start acquaintance with Strasbourg from its cathedral. The reviews of tourists are especially recommended not to be too lazy and climb the tower. This will give you a visual representation of the location of the city, which means that it will be possible to make a route for further excursions. It is necessary to visit the Bishop's Palace, the Petite France quarter, the Alsace Museum. Do not forget that Strasbourg is located and This newest building is not located in the city center, and it is best to get to it by tram. Reviews of tourists strongly recommend, regardless of the season, to ride a sightseeing boat along the channels of the Ile River with their many locks.

Church of St. Paul

Church of St. Pavla was built in the Renaissance Gothic style at the end of the 19th century. The spiers of the towers are visible from afar, rising above all the surroundings to a height of 76 meters. In Choirs, noteworthy are the five stained glass windows by Saussure.

Église Saint-Guillaume - Saint-Guillaume Church

This is a Gothic church, combining two styles in the interior at once: Gothic and Baroque.

Address: Rue Calvin

Church of Saint-Madeleine (église Saint-Madeleine

This is a Catholic church built in the Gothic style at the end of the 15th century. It was rebuilt twice. First due to a devastating fire in 1904, then after bombings during World War II. In 1989, the church was classified as a monument of historical importance.

Address: Rue Saint-Madeleine

Notre Dame Cathedral

This is a Roman Catholic cathedral, combining Romanesque and Gothic styles in its architecture. It is included in the UNESCO World Heritage List. The cathedral is famous for its astronomical clock, an extraordinary example of cooperation between technicians, artists and mathematicians.

The height of the cathedral is 142 meters. It is the sixth largest building in the world.

Address: Place de la Cathedral

Saint Nicholas Church

This is a small gothic church. Its initial construction began in 1182, but two centuries later it was completely remade and consecrated in honor of St. Nicholas, patron saint of children, students and sailors.

Address: Quai Saint Nicolas

Church of St. Thomas (église Saint Thomas)

This is the main Protestant church in Strasbourg and the only example of such a church layout in Alsace. Inside is a sculpture of St. Michael, made in the late Gothic style - the second largest in a similar style in France.

Address: intersection of Rue Martin Luther and Quai Saint-Thomas

Church Saint-Pierre-le-Vieux

This Protestant church was listed as a Historic Monument in 1981. It was first mentioned in historical chronicles in 1130, although at that time it was a Catholic church.

Address: Place Saint-Pierre le Vieux

Temple Neuf

The name literally translates from French as "New Temple". This church originally belonged to the Catholic Dominican order, but was destroyed during the war in 1870. The current building of the now Protestant church is a 19th-century neo-Romanesque reconstruction.

The first building on this site was completed by the Dominicans in 1260. During the Strasbourg Republic in the 16th century, it was secularized and subsequently given to the Protestants, who organized a library here in 1531. In 1566, this library was attached to the Protestant Academy, which later, in 1621, turned into a university. During the Franco-Prussian War in 1870, the city was bombed, and on the night of August 24-25, 1870, a fire destroyed the temple. The library with 400,000 books and 3446 manuscripts burned down.

Address: Rue de Temple Neuf

Church Saint-Jean

Built in the 15th century, Saint-Jean was partly rebuilt after World War II. The church has one nave with two lancet windows. Inside, you can see the remains of frescoes created by the artists Werle and Schwenkedel.

Address: Quai Saint-Jean


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WISH YOU WERE HERE

"Gorgeous... Gorgeous..." - periodically repeating the same word, the lady behind my shoulder was dumbfounded looking somewhere forward and upward. I also looked there. Just as dumbfounded. Only a couple of minutes after her disappearance, I realized that the woman was pronouncing this word in Russian. Here, in the motley and rhythmically buzzing crowd, one can easily imagine oneself at the foot of the Tower of Babel: absent-minded glances, lingering tongues, word forms ruthlessly taken out of context and dumped into one heap. The first impression lasts so long that in the process it ceases to be the first and even the second, becoming the only one. And it's all made by humans hands?


Notre Dame de Strasbourg. A unique structure, an absolute masterpiece, a diamond in the crown of the world's Gothic architecture... Epithets can be chosen for a long time, but let's start from the very beginning.

Be that as it may, and for greater effect, the guides start from afar - from the seventh century - emphasizing that it was then that the first Christian church was built on this site. Why, then, do they so diligently avoid the unfortunate fact that even earlier, when there was no Christianity even in Jewish heads (and the divine spermatozoon had not yet penetrated into the bosom of Mary), there were cult buildings of the Romans, later destroyed by well-meaning Christians to the core and deeper? Jah with them, with the guides, let's go on about and start from the seventh century.

Indeed, the first Christian church was erected here at the behest of the Strasbourg bishop with the high status of "saint" and the barking name of Arbogast. But the temple did not last long and already in the next century Charlemagne himself (who needs no special introduction) ordered this shameful hut to be demolished and something more decent to be erected. The hut was demolished, a new temple was quickly put together and decorated so elegantly and richly that Karl only clicked his tongue, and the curator from the church, Bishop Remigius, immediately ordered to bury him in the crypt of this particular temple. Either Remigius was not very holy, or Arbogast recalled from the other world about his exorbitant holiness and even greater resentment for the demolished building, but life at the new temple did not work out. The temple waited until the quick-tempered Charles properly rested, and in 873 he took it, and he himself flared up, thoroughly flared up like that. It was patiently restored, dressed up and forgotten about the fire as an unfortunate misunderstanding. But not so long. In 1002, a negligent servant decided to check how much gasoline was left in the tank of his moped, using a torch for lighting. The servant was lucky: they could not find his remains in the conflagration, they burned out qualitatively. But the temple had to be rebuilt and dressed up again. Exactly five years later, the locals decided to abandon this wasteful monument to optimism and, after another fire, waved their hand: a singed place, not lucky.

As the main fighters against superstitions and a cold attitude towards spiritual matters, a duet consisting of the Strasbourg bishop Werner (from the Habsburg family!) and the emperor of the entire Roman Empire, Henry II, acted as the main fighters. Considering that Henry II was no less holy than Arbogast, and perhaps even more dedicated, in 1015 the sweet couple ordered to clear the clearing at the site of the conflagration and laid the first brick in the foundation of the new temple with four hands. It is from this year that the real history of the Cathedral of Notre Dame de Strasbourg begins.

// old-pionear.livejournal.com


The cathedral was completely completed in the year of Werner's death and became a significant crown of his spiritual career. In 1028, Strasbourg acquired a new cathedral, which was built in the Ottonian (pre-Romanesque style in church architecture with a predominance of the basilic type and simplified interior decoration) style and looked more like a fortress than a church. Reliability and durability radiated from the cathedral a mile away. Remigius, whose spirit continued to wander around the territory of the burnt crypt, laughed demonically when, in 1176, all this impregnable greatness, at the behest of the unmalicious actions of the cook, who decided to put out a cigarette butt with red lipstick on a well-oiled wooden pillar of the supporting structure, blazed with a cheerful flame and disappeared in it. .

// old-pionear.livejournal.com


It was then that the new Bishop of Strasbourg, Heinrich I von Hasenburg, said his epoch-making word. This Gazen-Vagen made a crazy suggestion: "But what if the cause is not at all in holiness or spirituality? But what if the cause of fires lies in the building material, i.e. in wood??" Nonsense, of course, but just in case, they decided to check this version as well, having decided to build another new cathedral entirely of stone, since there was a freshly dug quarry with pink sandstone nearby (in the Vosges department of Lorraine). And work began to boil. From Werner, they decided to leave as a legacy the crypt that survived under the rubble and the partially preserved transept. Initially, the building was built in the Romanesque style, but as soon as the first outlines of the eastern part of the cathedral began to appear, reminiscent of the former silhouette, one of the city skeptics, setting fire to the newly purchased Werner Mummert pipe (price from $ 330), gloomily joked: "Something Werner smelled again..." Crossing himself three times and adding "chur-chur-chur", the construction manager in 1222 ordered that sculptors from Chartres be sent out to promote the new, Gothic style in architecture. No sooner said than done, and French architects arrive in Strasbourg light and tipsy, easily crossing German and French features in the appearance of the cathedral, reflecting the essence of the Alsatian land itself.

// old-pionear.livejournal.com


In 1275 the central nave was completed and it was time to think about the façade. By this time, the bishop (as is known from the previous part) had been moved and the city was ruled by a magistrate, who had achieved rapid prosperity. The facade was supposed to mark the coming "golden age" and make a grandiose impression. The city authorities did not stint on the legionnaire, inviting a European celebrity from Steinbach, Erwin von Steinbach, to build the facade. And Erwin did not disappoint. He brushed aside the former plan for the façade without looking and proposed his own, pretentiously calling it Plan B. I must say that as the construction progressed, Erwin's eyes flared up more and more and first "Plan B" flowed into "Plan C", and that, in turn, into "Plan D". It's probably funny, but Erwin sat down, wept and died when in 1298 there was ... a fire.

// old-pionear.livejournal.com


The cathedral was built of stone, but the scaffolding was of wood! What to do next, no one knew. Hotheads suggested building scaffolding out of stone and then demolishing them with a series of directed explosions. The proposal itself was not bad, but in those years the technology of directed explosions was not yet fully perfected and the proposal was abandoned. Someone suggested imposing exorbitant fines for smoking and cooking on construction sites, but local deputies reasonably suggested that this would still not solve the problem and issued a series of fire laws, prohibiting gatherings of more than two people, promoting same-sex marriages, writing on the walls of the cathedral obscene words, use the names of drugs in construction documentation and, just in case, additionally forbidding the adoption of children of dead builders. The measures taken turned out to be effective, but for some reason the facade did not become better and did not change at all, remaining in a half-finished state. It took twenty years to make the last and frankly unpopular decision: the executive branch invited a new architect to continue construction, who turned out to be the son of the deceased Erwin, Johann von Steinbach. To the surprise of legislators, things went further.

// old-pionear.livejournal.com


In 1365, the third tier was completed, and then, in not very distant Switzerland, an event occurred that fundamentally influenced the "Plan D" and the entire project "Cathedral against fires" as a whole. It must be said that at the very beginning of construction, Henry I decided to surpass the famous and no less long-suffering Basel Munster in all respects, and all the time during the construction this goal did not disappear anywhere, Basel with its Munster was a constant reference point. Until 1365. And in 1365, as a result of an earthquake, not only the turrets of the Basel Cathedral collapsed, but also the "Plan D", because. builders suddenly realized that buildings are dying not only from fires. In order not to repeat the fate of Basel, it was decided to abandon the construction of spiers, but to complete the work with the gallery of the apostles and two beffroy towers (which strongly resembles the project of another Notre Dame). In 1399, the construction was finally completed, and the contractor prepared an act on the acceptance of the building for commercial operation...

// old-pionear.livejournal.com


which the members of the magistrate did not sign! They, you see, the building seemed not majestic enough. I had to move on to the next plan, which had long gone beyond the limits of the alphabet and printed norms. The practice of hiring legionnaires proved itself so well that Ulrich von Enzingen was immediately called in, leading the Ulm Cathedral to the final part. Ulrich in 1399 began, and Johann Hultz in 1439 completed the construction of the spire.

So, from the beginning of the construction of a completely stone cathedral to the tip of the spire, 263 years passed, before the magistrate the question arose of building a second spire. He stood up and smiled mischievously. Oh, the authorities did not like this smile. Having estimated how much more time and money would be required, the city fathers cried out: "There is no longer any reason to wait until this whole nightmare is over! Let our Notre Dame be one-headed!" On that, the issue was resolved. Axes and pitchforks. Oh, no, it was already in Russia... And in Strasbourg, the problem of the second spire was still in the air for some time, but it just flew away. Moreover, a fatal incident almost happened to the first and only one, when, during the years of the French Revolution, the faction of the "mad" saw in the immodestly rearing spire a certain symbol of inequality. In 1793, the revolutionaries demanded the destruction of the cathedral spire. Fortunately, among the locals there was a savvy blacksmith named Syltzer, who flatteringly suggested that the "madmen" not demolish the spire, but put it in a tin cap, similar in shape to those worn by the enrages themselves: they say, boys, but after all, many miles from here on your cap will see that Strasbourg is the territory of freedom, i.e. your territory. And he himself made a hefty tin Phrygian cap. The boys liked the idea, and the cunning blacksmith saved a masterpiece of world architecture for posterity. Verily, vanity is my most beloved of sins.

Everything ended peacefully and calmed down by the church, one of the tallest and perhaps the most beautiful (among the Gothic, let's not offend other styles) in the world.

// old-pionear.livejournal.com


As for beauty, I leave the right to compete with the Strasbourg Notre Dame, decorated with thousands of sculptures, only to one Gothic cathedral (I hope I will write about this again), but there are no disputes about the height, but only facts.

For a long time, for many centuries (almost four thousand years), the tallest structure of mankind was the pyramid of Cheops - 146 meters, 60 centimeters. By 1311, when the spire of Lincoln Cathedral rose to a height of 159 meters 70 centimeters, erosion reduced the "growth" of the pyramid to 140 meters (today its height is 138 meters 80 centimeters). So all 142 meters 11 centimeters of the single spire of Notre-Dame de Strasbourg were impressive, but not a record. The leadership of the English church gave way in 1549, when its steeple took and collapsed; by itself, because of one single reason - the British did not master the skill of building Gothic structures to the right extent, but swung at the records. The Lincoln Cathedral shrunk to 83 meters in height, and in the middle of the 16th century, the first place among high-rise buildings passed to Estonia. The height of St. Olaf's Church in Tallinn was 158 meters 40 centimeters. Not even a hundred years had passed, and in 1625 the thundering hand of God decided to throw a beam of lightning into Olaf's attractive spire. This long Olaf could not stand such treatment, swayed, gasped and fell, making the church shorter by 35 meters (now - 123 meters). The palm went to the Church of St. Mary, which rose above the German Stralsund at 151 meters from the asphalt level.

// old-pionear.livejournal.com


What do you think, could our Almighty God allow such a mockery: the highest building of mankind in some shabby Stralsund? Our God is strict but fair, so he didn’t hesitate for a long time and was also too lazy to invent something new: in 1647 he slammed lightning on St. Mary, cutting off 47 meters from her and shortening it to one hundred and four. It was then, in 1647, that Notre Dame de Strasbourg became the tallest building in the world. So he remained for 227 years, until he was replaced by the Cathedral of St. Nicholas in Hamburg (147 meters 30 centimeters). Then everything began to change very quickly, but it no longer has a direct relationship to our history, and Notre Dame de Strasbourg remains one of the tallest churches in the world.

// old-pionear.livejournal.com


There is a common expression: beauty<этого явления>impossible to transfer. It is possible to convey the beauty of the cathedral in Strasbourg. But in order to convey it, you will need thousands and thousands of photos on a special resource. We will get by with only fragments, but all this beauty remains completely at the bottom of the eyes and in the depths of the hearts of those people who were lucky to see the cathedral alive.

// old-pionear.livejournal.com


Of course, there is nothing in the world that absolutely everyone would like. Here is our compatriot, mentioned in the previous part, Denis Fonvizin, commented on the cathedral he saw: minute ready to fall apart.

// old-pionear.livejournal.com


There are much more complimentary opinions.

Victor Hugo: "Giant delicate miracle".

Goethe: "Exalted lofty tree of God."

// old-pionear.livejournal.com


For the reddish tint that pink sandstone gives Notre Dame, Paul Claudel wrote about it like this: "... Like a pink-red angel hovers over the city."

// old-pionear.livejournal.com


Two women of a certain build and of indeterminate age (either train conductors or Sberbank employees) approach the parapet. A lady with slightly shorter legs and slightly fuller breasts dominates:

So. I'll sit here now, - the pointing finger sticks into the stone. - You stand over there, - an imperative gesture follows in an indefinite direction. Then the hand dives into a shopping bag and takes out a "soap dish", which are sold in transitions for 600 rubles ("Hey, daragoy, the device is koopa! Savsem is new, me ne padashol!"). The apparatus is handed over to the dumb comrade, the instruction continues. - Take a picture of me against this background ... Mmmm ... - the alpha tourist turns to Notre Dame de Strasbourg and begins to painfully select words for the structure towering in front of her. An understanding is read in her eyes that the word "church" does not clearly enough describe what it needs to be captured against, but it looks like the lexicon has already been exhausted to the bottom, and the necessary definition has not been found. And here comes the illumination. What follows, with a sigh of relief, is the majestic building. Crap.

// old-pionear.livejournal.com


Might be worth taking a look inside. But not now, in the next part.

// old-pionear.livejournal.com


old_pionear
20/01/2016

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I fell in love with Alsace almost immediately, as soon as in August 2013 I got off the Paris-Strasbourg train at the central city station. This is exactly the case when two countries formed a region where everything complements each other. The best German and French architects worked on the Cathedral of Our Lady of Strasbourg, brought the best they had and could. As a result, I propose to admire the top of the Gothic art of Alsace - the Cathedral of Our Lady of Strasbourg - the result of the work of Franco-German masters.

At 142 meters high, Strasbourg Cathedral has long been the tallest building in the world, and is now the second tallest building in France (after Rouen Cathedral). The thin spire of the cathedral is visible from any point of the Alsatian plain, as well as from the Black Forest and the Vosges - mountain ranges adjacent to Alsace.

The modern building is the fourth in a row. The story begins in the 7th century, when the first cathedral was founded by the bishop of Strasbourg, Saint Arbogast. But already under Charlemagne it was rebuilt and made more spacious. Recent excavations have shown that the Carolingian cathedral was a three-aisled basilica with three apses. The Carolingian basilica was severely damaged by fires several times, and in 1015, on the site of a dilapidated building, Bishop Werner I began the construction of a new temple in the Ottonian revival style. Unfortunately, this cathedral also burned down in a strong fire in 1176, after which the Strasbourg bishop decided to build a new, fourth cathedral; from this moment begins the history of the Cathedral of Our Lady of Strasbourg.

The first to be built were the choir and the north arm of the transept, which still belong to the Romanesque style. In 1225, a group of architects from Chartres took over the construction, and after that the construction of the cathedral was already carried out in the Gothic style. In the middle of the 13th century, funds were already almost exhausted, and in order to complete the nave, it was necessary to launch an extensive campaign for the sale of indulgences. In 1277, the construction of the western façade began. Construction proceeded quite slowly, several times fires damaged the walls of the cathedral, and they had to be restored. The work was finally completed only in 1439, since then the cathedral has practically not changed its appearance.

Several architects worked on the construction of the cathedral, but the greatest contribution was made by Erwin von Steinbach. He took over the building work in 1277 when the façade began to be erected. A strong influence of French Gothic can be traced in his work: for example, the rose window on the facade is made in the style characteristic of French cathedrals, and the portals are decorated with reliefs much richer than was customary in German churches of that time. It is believed that after the death of Erwin von Steinbach, work on the facade and tower of the temple was continued by his son and daughter.

In 1277, the construction of the western façade began.

The western facade of the cathedral is richly decorated with reliefs, the subjects of which are devoted mainly to the life of Jesus Christ. The niche of the central portal depicts scenes of the Passion of Christ. In the center of the niche there is a statue of the Madonna and Child, reminiscent of the fact that the cathedral is dedicated to the Mother of God, and scenes from the Bible are depicted on the archivolts of the portal. The left portal is decorated with figurines of virtues fighting vices. The relief in the niche of the portal depicts scenes of the childhood of Jesus Christ. The right portal is framed by the figures of Wise Virgins and Foolish Virgins. According to the parable in the Gospel of Matthew, ten virgins, bridesmaids, went out at night to meet the arriving bridegroom to escort him to the wedding feast, but only five of them stocked up with enough oil for the lamps. When the lamps of the five foolish virgins went out, they went to the market to buy lamp oil, at which time the groom arrived and the feast began, to which the foolish virgins were not allowed, as they were late. “Watch therefore,” says the parable, “because you do not know the day or the hour when the Son of Man is coming.” The figures of the Wise Virgins at the right portal hold lamps and open Tablets in front of them, and the Foolish Virgins hold closed Tablets, and among them is the figure of the Tempter with the forbidden fruit in his hands. As for the niche of the portal, it is dedicated to the theme of the Day of Judgment.

On the sides of the cathedral are two more portals. The portal, made in the late Gothic style, which is located on the north side, is dedicated to St. Lawrence, one of the most important holy martyrs for the Christian tradition.

Inside, the cathedral is rather poorly lit, unlike other French Gothic cathedrals, such as Reims and Chartres. The nave of the cathedral, which is 63 meters long, is one of the longest naves of all French cathedrals. The nave contains a large number of medieval stained glass windows. The stained glass windows on the north side depict various emperors of the Holy Roman Empire, the stained glass windows on the south side represent scenes from the life of Our Lady and Jesus Christ. The stained-glass windows of the triforium depict the genealogy of Jesus Christ - in the version in which it is given in the Gospel of Luke. The rose window is decorated, surprisingly, only with plant motifs: it is believed that the wheat depicted on them symbolizes the economic well-being of Strasbourg.

The choir, one of the most ancient parts of the cathedral, built in the 11th century, is decorated with frescoes from the 19th century and a modern stained glass window depicting the Virgin Mary. It is noteworthy that, since the stained glass window is a gift to the cathedral from the Council of Europe, twelve stars on a blue background can be found on the stained glass window, symbolizing the European Union.

In the north arm of the transept there is a niche intended for the altar of St. Lawrence. The capitals of the columns framing this niche are decorated with images of fantastic beasts. Now there is a font in the niche, made in 1453 by the famous sculptor of that time, Jodok Dotzinger. Opposite it, you can find a monumental sculptural group depicting the prayer of Jesus Christ before his arrest on the Mount of Olives. This sculptural group was originally made by Nicholas Roeder in 1498 for the churchyard of St. Thomas, and was transferred to the cathedral in 1667.

In the southern arm of the transept, first of all, it is worth noting the so-called. a pillar of Angels, which is decorated with twelve sculptures: four evangelists are depicted on the lower level, angels playing horns above them, and finally, the upper tier depicts a seated Christ surrounded by angels.

The pulpit of the cathedral is a wonderful example of the flamboyant Gothic style elevated to the absolute. The pulpit is decorated with about fifty sculptures representing many traditional New Testament stories and characters.

In the south transept of the cathedral there is an astronomical clock - one of the most famous in the world.


Strasbourg Cathedral is distinguished by its charming and majestic texture. From all sides it is shrouded in patterns of free-standing lattices, on the facade there are small painted arches, graceful sculptures, monumental columns, stained-glass windows, the altar of St. visiting this cathedral is an architectural masterpiece.

One of the main decorations of the cathedral are stained-glass windows of indescribable beauty, the best of which are clearly visible from the windows of the transept and the southern chapel. The stained-glass windows of the south chapel windows depict excerpts from the life of Jesus Christ - when he was a child, when he suffered terrible torments and episodes of the Last Judgment. On the stained-glass windows of the north transept, you can see the image of the Mother of God, leading the procession of myrrh-bearing women, who are honored by all the peoples of the world.


Running a little ahead, I would like to note that earlier this temple was not only Catholic: Protestants also attended services held in this majestic building.

The splendor of this cathedral is rather difficult to describe in words, although it, like the Cologne Cathedral, is still considered unfinished. What is the fact that for more than two centuries this building was considered the tallest on our entire planet!


Image from Pierers Universal-Lexikon, 1891

If you carefully study the written works of historians and architects, you can easily draw a definite conclusion: the Strasbourg Cathedral, dedicated to the Holy Virgin Mary, is rightfully considered one of the most beautiful and largest Catholic churches in the world of the Old World. Every day, thousands of guests of the French city come to him to see with their own eyes the miracle that appeared in the world thanks to the joint work of German and French architects.

By the way, Strasbourg itself, although it is part of France, can be called a city where two cultures surprisingly intertwined: German and French. Speaking about this temple, built of sandstone, it should be emphasized that it is the Catholic church of the bishop: today you will not meet Protestants in its huge halls.

The very first mention of an unfinished church in the Romanesque style dates back to 1015. However, thanks to archaeological excavations, scientists were able to prove that a Roman sanctuary had risen on this site long before this period of time.


Initially, in 1015, the Strasbourg Cathedral was supposed to be built in the Romanesque style, as already mentioned a little above. Moreover, the work had already begun: the construction order was given by Bishop Werner of Habsburg.


For unknown reasons, the unfinished building almost completely burned down. It was possible to restore the temple, at the cost of incredible efforts and huge investments, only by the end of the 12th century, and at that time the Gothic style had already become fashionable in Europe.

western portal

For this reason, most parts of the building acquired more austere "airy" forms, and the decoration was made of reddish stones, which were specially brought to the construction site from neighboring mountainous areas.

The bishop, who paid all the expenses for the restoration and reconstruction of the building, died, and the construction of the majestic cathedral, which in the future should become the tallest building in the world, stopped for a while.

The donations of the bourgeoisie were not enough, so all residents of the cozy city, without exception, began to contribute to the construction of the Strasbourg Cathedral.

Interestingly, the western part was built under the leadership of a German named Steinbach. Some documents even mention the fact that the architect and builder did not hesitate to give all his property for the construction of a majestic temple.

True, all his property at that time consisted of only one horse.

The most recognizable part of the building, with the exception of the astronomical clock, which you should definitely dwell on in more detail a little lower, was the spire built by Johann Hultz from ... Cologne. Probably, it is for this reason that many tourists find similarities between the two most beautiful Catholic churches.

The North Tower, whose height reaches 142 (!) meters, was completed in 1439. True, it became the highest in the world only in 1652. This record was broken only at the end of the 19th century.

The builders probably “forgot” about the South Tower: they never started building it. For this reason, the Strasbourg Cathedral can be called a model of asymmetry in architecture (if, of course, you do not take into account the masterpieces of Antonio Gaudí).

The architects, as in the construction of the Cologne Cathedral, were guided by the French cathedral Gothic, which can be seen from the doubling of the western towers and, as a result, the wide western facade, as well as the longitudinal nave in the form of a basilica, in contrast to German churches with three naves of the same height (German Hallenkirche).

Among the main builders of the cathedral were Ulrich von Ensingen (German Ulrich von Ensingen, previously participated in the creation of the Ulm Cathedral) and Erwin von Steinbach (German Erwin von Steinbach).

The north tower, 142 m high, with an openwork stepped spire made entirely of sandstone according to the design of the Cologne master Johann Hülz (completed in 1439), was until the end of the 19th century the tallest structure made entirely of stone.

The square on which the cathedral stands is one of the most beautiful city squares in Europe. There are a number of half-timbered houses (up to 4-5 floors) in the style of Alemannic-South German (Swabian) architecture on it. Characteristic are the high roofs, in which there are several "inclined" floors (up to four). On the north side of the square stands the famous half-timbered house, the skillfully painted Kammerzell House, built in the 15th century (German: Haus Kammerzell, French: Maison Kammerzell).





In the Strasbourg Cathedral, every sculpture, every stained-glass window and object is a real work of art that cannot be valued in monetary terms. Unfortunately, it will not be possible to describe them all in one material. It is best to see them with your own eyes or look at the photo.

gallery of the apostles

In the early 20s of the 13th century, sculptors from Chartres were invited to Strasbourg, who were the bearers of a completely new, Gothic style. So the cathedral, like, in fact, the whole of Alsace, became a fusion of German and French styles.

details of a tympanum in the cathedral museum




This was manifested, in particular, in the fact that both red and blue (typically French) and green (typical for German cathedrals) colors were used in stained-glass windows.


It is definitely worth highlighting the sculptures that the traveler can admire above the triple portal: these are realistically made statues of the great Prophets, the Magi, who carried messages from higher powers to the people, and symbolic images of worldly vices and virtues.

san lauren portal


Inside the Strasbourg Cathedral, you can see a magnificent font, which was made by the famous Dotzinger in the middle of the 15th century. Tapestries, the altar of St. Pancratius, stained-glass windows stunning in their unearthly beauty and, of course, an astronomical clock are just a small part of what can be seen in one of the most beautiful Catholic churches in the world.



By the way, the astronomical clock of the Strasbourg Cathedral deserves special attention. The amazing and precise mechanism was developed by the watchmaker Schwilge, and the decorated case for them was made in the 17th century by Tobias Stimmer.

Before them there were clocks built in 1353 and 1574, the last of which worked until 1789 and already had astronomical functions. In 1832, a unique mechanism was constructed showing the orbits of the Earth, the Moon and the then known planets (from Mercury to Saturn).

A feature of the watch is a mechanism that completes one full rotation on New Year's Eve and calculates the reference point for those holidays whose dates change from year to year. But the slowest rotating part of the clock shows the precession of the earth's axis - one revolution takes 25,800 years.

It is impossible to explain how it was possible to recreate such an exact mechanism at a time when there was no computer technology yet. The astronomical clock of the Strasbourg Cathedral attracts attention and, at times, does not allow you to focus on anything else.

Every 15 minutes, the clock “comes to life”: one of the four figures floats in front of the audience, which symbolize the frailty of life. The figurines allegorically depict four human ages: in the first quarter of an hour before Death (depicted as a skeleton), a baby passes,


then a young man goes around the clock, then a mature man (warrior) and, finally, an old man,
who announces his death and the imminent appearance of the baby. Then the cycle of changing the four ages is repeated anew.

Every hour, the Angel turns the hourglass over, Jesus Christ appears and, to the sound of large bells on the tower, drives away the skeletal Death, not allowing it to mow the passing time. But the most important performance is played out to the audience only once a day. Every day at 12:30 everyone starts to move automatic watch devices. One angel rings the bell, and the other turns the hourglass over, and four characters, symbolizing the ages of life, alternately pass before Death.

The following scene is played out on the upper tier: Jesus Christ comes out, then the twelve apostles appear, bowing before his face; then, spreading its wings, a rooster crows and flaps its wings, announcing the denial of Peter.

Jesus blesses the figurines of the apostles three times, and then turns with a blessing to the parishioners. The performance is completed by ancient gods on elegant chariots - symbols of the days of the week. Diana is Monday, Mars is Tuesday, Mercury is Wednesday, Jupiter is Thursday, Venus is Friday, Saturn is Saturday, and Apollo is Sunday.



At 12:00, a film about the history of creation and the clock mechanism is shown in the cathedral.


Unfortunately, the French Revolution did not spare this temple: many frescoes and sculptures were destroyed. In fairness, it should be noted that the bombing of the fascist aviation and the forces of the anti-Hitler coalition caused the greatest damage to the Strasbourg Cathedral.

The temple, which was built by the French together with the Germans, was partly destroyed by them .... The legendary tower survived, thanks to one talented and resourceful blacksmith, who after the destructive revolution made for it a protective cap made of the strongest metal.

Time passed, wars and hardships were left behind: after a thorough reconstruction carried out by the best specialists, the Strasbourg Cathedral appeared before the faithful and guests of the city in its original form.

Today, this asymmetric building is visited by thousands of tourists who want to see not only the astronomical clock, sculptures and other treasures, but also an amazing combination of French and German cultures.

Anyone can visit the Strasbourg Cathedral in France absolutely free of charge. It opens its portals at 7 am and closes at 7 pm. It is worth remembering that from 11-30 to 12-40 there is a break in the temple. All tourists who want to get to the North Tower will have to pay 4 euros and 60 cents for a ticket.

For children and teenagers, the lift costs half the price. To come to Strasbourg and not visit its "heart" is an unforgivable mistake, because the great Hugo called it "a delicate and gigantic architectural marvel." He described it in his writings and Goethe, calling it nothing but the "tree of God"!

Every summer, in the evenings, a performance is organized in front of the cathedral: classical music is broadcast, and the cathedral itself is illuminated in different colors to match the music.