Message about the gate of the goddess Ishtar. Ishtar Gate: the story of a masterpiece of Babylonian architecture
In the northern part of the city.
Appearance
The Ishtar Gate is a huge semicircular arch, bounded on the sides by giant walls and overlooking the so-called Processional Road, along which the walls stretched. The gate is dedicated to the goddess Ishtar and built of brick, covered with bright blue, yellow, white and black glaze. The walls of the gates and the Processional Road are covered with bas-reliefs of extraordinary beauty, depicting animals in poses very close to natural. The walls of the path are decorated with about 120 bas-reliefs of lions. The walls of the gate are covered with alternating rows of images of sirrus and bulls. In total, there are about 575 animal images on the gates. The roof and gate doors were made of cedar. Statues of the gods passed through the Ishtar Gate along the Processional Road on New Year's Day.
Reconstruction
The reconstruction of the Ishtar Gate and the Processional Road was made in the 1930s. in the Pergamon Museum in Berlin from material found by archaeologist Robert Koldewey. The dimensions of the restored Ishtar Gate are 14 meters high and 10 meters long.
A replica of the Ishtar Gate was built in Iraq at the entrance to the museum, which was never completed.
Links
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See what the "Gate of Ishtar" is in other dictionaries:
This term has other meanings, see Ishtar (meanings). Queen of the Night, British Museum ... Wikipedia
GATES- an architectural symbol of the transition from one quality and state to another. Even before the appearance of temples, the sacred aspect was attached to the gates by means of two pillars with a crossbar connecting them. Phoenician structures belonged to this kind of structures ... ... Symbols, signs, emblems. Encyclopedia
Restored Ishtar Gate in Berlin's Pergamon Museum The Ishtar Gate is the eighth gate of the inner city in Babylon. Built in 575 BC. e. by order of King Nebuchadnezzar in the northern part of the city. Appearance The Ishtar Gate is ... ... Wikipedia
Theodosian Gate in Istanbul The city gate is a fortification element that was most widespread during the Middle Ages. Traditionally, city gates were built ... Wikipedia
This term has other meanings, see Babylon (meanings). The ancient city of Babylon Akkad. Bāb ili(m), Babilla; noise. KÁ.DINGIR.RAKI ... Wikipedia
Coordinates: 32°32′30″ s. sh. 44°25′24″ E / 32.541667° N sh. 44.423333° E etc. ... Wikipedia
Long ago, during the reign of King Nebuchadnezzar, the great Babylon had seven gates bearing the names of the gods. Of extraordinary beauty was the gate of the goddess Ishtar, from where the famous Processional Road began, heading to Esagila, the temple of the patron of Babylon, Marduk. The ruins of the Ishtar Gate remain one of the most significant testimonies of the former glory of Babylon, and it is about them that I would like to tell you today.
The Ishtar Gate is located in the Museum of the Ancient Near East, which, in turn, is the pavilion of the Pergamon Museum, created in 1899. It contains the finds of German archaeologists of the late 19th and early 20th centuries. in Mesopotamia.
The Babylonian collection is the result of an expedition led by R. Koldevey, who excavated 90 km south of Baghdad. For almost 20 years, archaeologists have been working on this discovery, and as a result, Babylon appeared before us - a city of fabulous wealth, the Tower of Babel, hanging gardens, inhabited by a myriad of inhabitants . Its dimensions, buildings, the power of the fortress walls - all this once amazed foreigners. This is how he appears before us in the writings of Herodotus and the Old Testament. Later, Babylon fell into desolation, and people forgot not only about its existence, but also its exact location. But archeology has rediscovered its fortress walls with towers, the royal palace, the procession road, the remains of the temple of Marduk, and so on.
Inside the city walls, at different ends of the city, there were two dominant buildings: on the one hand, the royal palace, on the opposite side, the pyramidal temple of Esagila. It was a huge structure, each side of which was 400 meters long. To the south of it was the majestic 91-meter ziggurat Etemenanki (“the temple of the cornerstone of heaven and earth”), which became the basis for the biblical myth of the Tower of Babel. At the top of the tower was the sanctuary of the main god of Babylonia, Marduk, lined with glazed bricks, and its walls and ceilings were covered with gold and decorated with precious stones.
The processional road was perhaps the best road of the Ancient World, because it was intended to move not by people and wagons, but by the great god and patron of Babylon Marduk, who once a year made his way along it to Esagila. And it took its beginning at the gates of Ishtar.
Answering the question “why exactly were these gates dedicated to the goddess Ishtar?”, Let me remind you that among the huge pantheon of the gods of Mesopotamia, Ishtar was both the central female deity, and the patron deity and a deity who embodied in her image the features of many Mesopotamian and non-Mesopotamian deities similar type. And therefore, local and universal elements of the sacred were united in her image.
Ishtar was highly revered as the goddess of beauty and love, compared with Venus. The cult of Ishtar originated in the city of Uruk, of which she was the patroness. Among the cities of Babylonia, there were seven largest ones, among which Uruk was included. Each patron deity of one of these cities was reflected in the gates of Babylon, which was supposed to symbolize the unity of the country. And since Ishtar was recognized as the wife of Marduk, the main front gates were dedicated to her.
The Babylonian gates of the great Ishtar themselves were made double. The inner ones were twice as large as the outer ones. The glazed brick cladding glittered in the sun, and the background was decorated with 575 - I believe in accordance with the date of construction, since the Gate was built by order of King Nebuchadnezzar in 575 - gold relief images of revered animals: lions, sirros and bulls.
By the way, the gate got its name from the temple of Ishtar, which was located nearby. The symbol of the goddess Ishtar was considered to be a lion, and therefore its images adorn the walls of the Processional Road outside the gate. On the gates themselves there are relief figures of bulls (the animal of the weather god Adad) and sirrushi dragons (the animal is the symbol of Marduk).
Recall that it was here, at the Ishtar gate, that the already mentioned Procession Road began, the continuation of which in the city was Aibur-Shaba Street. It was along it that a large procession was held on New Year's Eve, led by the golden statue of Marduk.
The street itself was made up mostly of pink stone slabs, with red stone inlays around the edges. Its width was 23 meters, and along its entire length it was accompanied by walls of glazed blue brick, seven meters high. Every two meters, the walls were decorated with relief images of lions in frightening poses.
Also impressive is the inscription that Nebuchadnezzar II ordered to be placed on the Ishtar Gate, which reads:
“I am Nebuchadnezzar, the king of Babylon, a pious prince, appointed by the will of Marduk, a high priest, beloved of Nabu, judicious, who learned to choose the wise, who comprehended the divine essence of Marduk and Nabu and honored their greatness ... the first-born son of Nabopolassar, the king of Babylon ...
I demolished these gates and overlaid their foundation at the water table with asphalt and bricks. I ordered them to be built of bricks with blue tiles, on which I depicted wonderful bulls and sirrush dragons. I covered their roofs with majestic cedars, I put bronze-studded cedar doors in every opening. I made wild bulls and terrible dragons on the gate. I adorned them with such sumptuous splendor that the peoples looked at them and marveled.”
But sooner or later everything falls into decay, so the beauty of the gates of the goddess Ishtar was appreciated only after German scientists conducted a study here. In total, about 100 thousand fragments of bricks, which used to be the gate, were found.
Unfortunately, in 1902, during the excavations, the upper part of the Ishtar Gate collapsed. About a thousand fragments were delivered to Berlin, of which the specialists managed to restore the closest to the original appearance, although, of course, the Ishtar Gates presented in the Pergamon Museum are not an exact copy of the original, but this is logical - otherwise they could not fit in the museum building . Here you can also see the restored part of the Procession Road.
Smaller restored parts of the Babylonian heritage are on display in many museums around the world - the Istanbul Archaeological Museum, the Detroit Museum, the Louvre, etc. The Ishtar Gate in Iraq is still an object of admiration and a place of pilgrimage for tourists, because the structure towering 12 meters still fascinates with the secrets of ancient times.
In the past two years, the Minister of Tourism and Antiquities of Iraq, Liwa Sumaysim, periodically complains about the looting of fragments of the ancient Ishtar Gate and the Processional Road.
Goddess Ishtar Gate Babil Province, Iraq. At the end of the 19th - beginning of the 20th century, blue glazed remains of brick tiles and fragments of the ancient Babylon Processional Road were excavated from under a fifteen-meter layer of sand. Then, after agreement with the Iraqi government, they were transferred to Berlin. And for 30 years, the reconstruction of the Ishtar Gate and the Processional Road, which became the pearl of the Museum of Western Asia, proceeded painstakingly and accurately in German. And in Iraq, the reconstruction of the gate was carried out using modern analogues of bricks under Saddam Hussein.
The ancient fragments of the gate that remained in Iraq were kept in the Nebuchadnezzar Museum on the site of ancient Babylon. Before the American invasion in 2003, the museum's vaults were sealed, sending part of the exhibits to the National Museum of Baghdad. The missing bricks are believed to have been stolen from the Nebuchadnezzar Museum.
During the Iraq campaign of the US and its allies, which lasted from 2003 to 2011, the ruins of ancient Babylon were further destroyed, and many cultural values, including the heritage of the ancient states of the Sumerians and Babylonians, were looted. Nevertheless, I really want to hope that the monument of antiquity will be preserved for new generations.
Diana Augusta Stauer
Having come to power, Nebuchadnezzar II decided to rebuild Babylon. To glorify his name for centuries, the king did not spare money. The best craftsmen of Mesopotamia worked at the construction site, embodying the fantasies of Nebuchadnezzar. Palaces, gardens of Babylon, reconstruction of the ziggurat and, of course, the strengthening of the city wall. It included eight double gates, one of which was the Ishtar gate. Even today they amaze with their splendor and size, but only a small part of them has survived.
Remains of the Ishtar Gate at excavations in 1932. Wikimedia Commons
Plot
Both the gates and the walls are built of clay bricks, which are covered with multi-colored glaze. Copper was used to obtain a blue-green hue. Images of animals are used in the ornament: lions on the walls, sirrush and tour on the gates. The lions symbolize Ishtar, the Babylonian goddess of war, wisdom and sexuality. Animals at eye level are depicted slightly smaller than life-size.
Reconstruction of the Ishtar Gate in Berlin. Wikimedia Commons
Ishtar Gate
Sirrush - a creature whose body consists of parts of the bodies of various animals (front paws - lion, head and neck - snake or dragon, hind legs - eagle, and on the tail - a sting like a scorpion) - is associated with Marduk, the patron god Babylon. At the same time, Nebuchadnezzar himself equated himself with the supreme deity, about which he did not hesitate to write on the buildings built with his money.
Floral ornaments on glazed brick. Wikimedia Commons
Tours - ancient bulls, considered incredibly ferocious - are associated with Adam, the god of storms, fertility and harvest.
Reconstruction of the gate and part of the walls
All these animals symbolize the protection and material well-being of the city. At the same time, they are depicted in such a correct sequence, as if trained and subordinate to Nebuchadnezzar himself. This made fear not only ferocious creatures, but also the king.
Model of the Ishtar Gate from Procession Street. Wikimedia Commons
Context
The Ishtar Gate was part of the construction campaign undertaken by Nebuchadnezzar II. By his command, Babylon was surrounded by a double wall. The height of the outer walls reached 8 meters, the width - almost 4 meters; internal - 11-14 meters and 6.5 meters, respectively. Defensive towers were located every 20 meters. One could enter the city through one of the eight fortified gates. One of them was the Ishtar Gate. They were at the end of the so-called Processional Road, along which the statues of the gods were carried on New Year's Day.
Goddess Ishtar
What remains of the Ishtar Gate is today kept in the Pergamon Museum in Berlin, and some of the bas-reliefs are scattered around the museums of the world. How did part of the fortress wall get to Germany? It happened a century ago after the excavations of one of the largest German archaeologists Robert Koldewey. At the end of the 19th century, he was able to convince the German Oriental Society, the government and Kaiser Wilhelm II to finance excavations in Mesopotamia at the site of Ancient Babylon.
Robert Koldewey
The excavations of Babylon lasted 18 years (instead of the planned five), and if it were not for the British troops who entered Baghdad in 1917 during the First World War, it is possible that Koldewey would have worked further in the Euphrates valley. The archaeologist managed to unearth the fortress walls, the royal palace, the remains of the temple of Marduk, etc. During the work, the upper part of the gate collapsed - hundreds of fragments were delivered to Berlin, from which the structure was restored with the greatest possible accuracy.
Total 78 photos
So it was the turn of the Istanbul Archaeological Museum. For a long time I could not approach this global topic and at the same time unusually fascinating. I had to mature for all this) As usual, I shoot a lot and in the end I come across in the asset with immense visual material that requires mandatory painstaking processing. Moreover, photography in museums is quite an intricate occupation - there is usually no light there and you are more trying to shoot correctly and squeeze everything possible out of the camera. This somewhat complicates the necessary relaxed perception of the ancient exhibits "live", but at the same time stimulates the possibility at the stage of processing to supplement the former real impressions of being in the field of History, contact with artifacts - already in terms of the second wave of penetration to the sensual level of one's sensations from contemplation.
The Istanbul Archaeological Museum was amazing, I must say. This museum complex consists of three main sections - the Tiled Pavilion (Chinili Köshk), the building of the main Archaeological Museum and the Museum of the Ancient East (Eski Shark Eserler Myusesi). And now we will talk about the latter, which many consider not too worthy of our attention and unanimously note that the Museum of the Ancient East is small, there are not many exhibits and they are in a hurry to quickly move to the main building "with the main" collections. Nevertheless, the Museum of the Ancient East of the Istanbul Archaeological Museum just really liked it. Therefore, I will dedicate three whole articles to him, otherwise I will not be able to be consistent and even enthusiastic in presenting the material) The museum itself is really not very large, but its expositions are extremely significant, amazing and fascinating. Trying to systematize the artifacts to be shown in the article precisely from the point of view of chronology is not just because there are really not many exhibits, but those that exist unequivocally compensate for some shortcomings in the exposition in covering ideas about the history of the ancient world. So we have the oldest civilizations today.
There are two ways to get to the Istanbul Archaeological Museum - from (from the entrance to the park immediately to the right and up) or from the territory (behind and the Mint to the left). We are just now going to the Archaeological Museum of Istanbul from the Topkapi First Courtyard.
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This street is extremely picturesque historically and already tunes in anticipation of immersion in History.
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I note that on the territory of the Archaeological Museum there are a lot of interesting exhibits in the open air. They are clearly worthy of a separate story, a show, and we will return to this topic, but for now we will not focus our attention on them.
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By the way, the Museum of the Ancient East is the first on the way to the main building. So it would be quite logical to visit it first. Here we are met by basalt lions from Senjerli (the Hittite city of Samal). 8th century BC late Hittite period. Once they also stood at the entrance of possibly the temple and are marked on the explanatory plate as Portal Lions.
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We are standing in front of the entrance to the Museum of the Ancient East. On the left we have the main building of the Istanbul Archaeological Museum, on the right is the Museum of the Ancient East, and below and in the background the photo is a canopy over ticket offices and turnstiles with places for screening personal belongings.
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The Museum of the Ancient Orient, built in 1883, displays a collection of artifacts dating back to the pre-Islamic period. Here and Assyria, Ancient Egypt, the Babylonian kingdom, and much more. A clearly defined route is not prescribed, so visitors immediately spread through the numerous halls and passages of the museum, visually reacting to the most attractive exhibits.
Southern and northern Mesopotamia. XX-X centuries BC.
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Figurines. Gods and goddesses, musicians, plant reliefs, erotic scenes.
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Old Babylonian period - an era in history Ancient Mesopotamia, dating from the XX-XVI centuries BC. e. (c. 2000 - c. 1595 BC according to the middle chronology). It is allocated for the southern part of the region, the Diyala valley and certain regions of the Middle Euphrates (Mari state); in other lands of Northern Mesopotamia, as well as in Eastern Anatolia, it mainly corresponds to the Old Assyrian period. The Old Babylonian era is characterized by political and cultural changes caused by the collapse of the Power of the III dynasty of Ur, the resettlement of the Amorites and the rise of state education with a center in Babylon. In archeology, this period coincides with the Middle Bronze Age.
Here we see numerous clay cuneiform tablets just from the Old Babylonian period.
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Gudea is the ruler (governor) of the Sumerian city of Lagash. 2141-2122 BC.
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Girsu (Telloh) is an ancient Sumerian city located about 25 km (16 miles) northwest of Lagash, at the site of present-day Telloh, Dhi Qar Governorate, Iraq.
Pool for the blessing of water, a gift from the ruler of the city of Lagash Gudea to the temple of Ningirsu. 2144-2124 BC.
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Stupa with a dedicatory inscription. An offering to the god Inlil from King Gudea from the city of Lagash. Third Dynasty Ur. 2114-2122 BC. Nippur. Diorite.
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Votive stelae. Offerings of King Gudea from the city of Lagash to the temple of Nin-Girsu.
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The base of the sculpture.
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Dedicatory plates with inscriptions.
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Akkadian kingdom. Utensil.
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Votive figurines-vessels. Mesopotamia.
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Akkadian king Naram-Sin. 2254-2218 BC. Diorite.
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Statue of Puzur-Ishtar - the governor of the ancient city of Mari. Beginning of the 2nd millennium BC. Basalt.
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Stele with relief (feast scene, Hittite Empire, XIV century BC) and an altar from the temple of the god Haldi.
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Altar from the temple of the god Haldi. Urartu. 7th century BC Topprakkale. Trachy.
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A measure of weight in the form of a wild duck with a dedicatory inscription. Belonged to the Babylonian priest Mushallim-Marduk. XIII century BC Diorite.
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Linear measure of weight in Mesopotamia and their metric equivalents. Nippur. Bronze. XV century BC
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The pearl of the museum collection - the famous Treaty of Kadesh- a clay tablet with the text of the most ancient (1269 BC) between the Egyptian pharaoh Ramses II and the Hittite king Muwatallis. 16 years after the Battle of Kadesh, the bloody and inconclusive war for the two countries ended with the conclusion of a peace treaty - the oldest treaty known to historical science on eternal peace, brotherhood, and cooperation in repelling external aggression and suppressing internal unrest. And 13 years later, this agreement was sealed by the dynastic marriage of Ramesses II with the eldest daughter of the Hittite king Hattusilis III. Each of the parties documented ascribed to itself an unconditional victory over the enemy.
Treaty of Kadesh. Clay tablet. Hatussa. Akkadian language. Period of the Hittite Empire. 1269 BC
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Northern Mesopotamia. Middle and Neo-Assyrian period. 1350-600 BC.
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Iron age. Urartian period. IX-VI centuries BC.
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Middle and Late Bronze Age. Northeastern Anatolia.
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Pottery vessels made using a potter's wheel.
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Honorary steles of high dignitaries. Middle Assyrian period. XIII century BC Limestone.
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Vessels for storing grain with hieroglyphic inscriptions. Found in one of the rooms of the Great Temple. Period of the Hittite empire. 13th century BC. Hatussa.
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Under the king of Urnammu and his son Shulgi Syro-Hittite orde Samal(Zanjirli) has reached its peak. According to calculations made by archaeologists, during this period there were 5250 residential buildings in Ur, which corresponded to a population, including domestic slaves, of 40-50 thousand inhabitants. Ur was bounded on the west by the old channel of the Euphrates, and on the northeast side by an artificial channel. The urban area had a size of 1000 x 700 m.
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It was a city built in the Sumerian tradition, oval in plan with the main axis oriented from the southeast to the northwest. Powerful walls, built of mud brick, reached a thickness of 25-32 m. In the northwestern part of the city, on a hill artificially expanded in the form of a terrace, there was the palace and temple complex of Ur, dedicated to the cult of the moon god Nannar, who was especially revered by the Sumerians. The main entrance to the sanctuary was located on the northeast side, from where through the monumental gate one could get into the sacred courtyard of Nannara and further into the next courtyard, on which the ziggurat was located.
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Reliefs of the southern gate of the city of Samal. Late Hittite period. 9th century BC Basalt.
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Reliefs from the western side of the Samal citadel gate
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Reliefs from the western side of the Samal citadel gate
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Hittite warriors on a chariot.
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King Barrecub prays against the backdrop of sacred symbols. The inscriptions tell about the structure of the royal palace.
Late Hittite period. 8th century BC Samal. Basalt.
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Solemn procession of dignitaries from building No. 3 of the royal palace. Late Hittite period. 8th century BC Samal. Basalt.
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Solemn procession of musicians from building No.3 of the royal palace. Late Hittite period. 8th century BC Samal. Basalt.
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Solemn procession from building No.3 of the royal palace. Late Hittite period. 8th century BC Samal. Basalt.
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Statue of a deity on the base on which is an image of a hero and two lions.
From the palace building J. Samal. Late Hittite period. 8th century BC Basalt.
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Delightful lions from Senjerli (the ancient city of Samal). 9th century BC Late Hittite period. Basalt.
Babylon was the greatest city of ancient times, about which dozens of legends were composed. When it was ruled by Nebuchadnezzar, as many as seven large gates were placed here. Each gate was given the name of a Babylonian god. One of the most beautiful and amazing structures is still the gate of the goddess Ishtar. They were distinguished by their special beauty and led to the temple of Marduk along the notorious Procession Road to Esagila. Today, the gate of the goddess Ishtar is one of the most fascinating places that you should definitely visit to understand the former power and glory of the city.
Ishtar- the main female deity. According to Akkadian mythology, Ishtar was the goddess of fertility, love, the patroness of prostitutes and war. She is the personification of the planet Venus and the fifth day of the week. According to mythological information, her husband was the demon Baal.
One of the famous stories about the goddess Ishtar is a love affair with Gilgamesh. The goddess offered her earthly lover to be together until the end of days, but Gilgamesh was unshakable before her beauty and rejected the offer, mentioning her thousands of victims. Among the ruined Ishtar were both gods and animals. Not resigned to such an answer, the goddess sent a terrible celestial Uruk to the city. It was a terrible monster created by the god Anu at her request.
No less famous is the myth of Ishtar's descent into the underworld to her husband Baal. Since then, sincere love has disappeared on earth, and vegetation has begun to ripen a thousand times longer. In Greek mythology, the goddess Ishtar was called Astarte, and in Sumerian mythology, she was in the guise of Inanna.
Descent of the Goddess
The writings about the descent or fall of Ishtar into the world of the underworld have been preserved in two versions. One of them was in the library of Ashurbanipal.
Wanting to see her sister, the goddess descends into the lower world, but is stopped by the gatekeeper. Ishtar understands that it is impossible to go through the gate to his sister and threatens the gatekeeper to raise the dead that live here and break all the barriers on the way. The guard, without thinking twice, ran to Ishtar's sister - Ereshkigal and reported on the angry words of the visitor. Ereshkigal from such words falls into a rage, however, orders to let his sister in, but only subject to the laws according to which everyone entering is obliged to leave a gift at each of the seven gates of the underworld.
After passing through all seven gates, the goddess Ishtar appeared before her sister completely naked and unarmed. Ereshkigal, not wanting to listen to her sister, locked her in her palace and sent 60 diseases.
Earthly life after the conclusion of Ishtar immediately rushed into decline. All living things ceased to multiply, the vegetation began to die, leaving only weeds and trunks of dried trees on the ground. Seeing what is happening with the world, the wise and great god Eye creates Asnamir, a eunuch, who must go to the kingdom of the dead with a message.
When Asnamir visited Ereshkigal, he demanded on behalf of Ey to restore Ishtar to life and release her from the realm of the dead. The enraged mistress of the dead world was extremely unhappy with this turn of events, but she could not refuse. She sends Namtara to bring her sister back to life and let her go. However, according to the laws of this world, the eunuch must take the place of Ishtar.
Great gate for the great goddess
The road to which the gates of the goddess Ishtar lead is not the best in the ancient world, and carts and animals moved along it with difficulty. It was only possible to walk on it, and with special difficulty. Some associate the calculation of such an inconvenient road with the wishes of the great patron and god of Babylon - Marduk. According to the scriptures, Marduk did not want anyone else to go to Esigala by this route and therefore ordered that a road be made that only he could pass. This path began precisely from the gates of Ishtar.
As already mentioned above, Babylon has as many as seven different gates, which symbolized the unity of the whole country and the patronage of deities. But the most beautiful, great and unique are only the gates of Ishtar, the wife of Marduk. This building was erected in her honor.
The gates themselves are a double structure. The inside was twice as large as the outside. The glazed facing brick sparkled brightly in the sunlight, delighting the city's inhabitants. On the walls of the gate there are 575 drawings depicting animals revered by Babylon.
You can reach this wonder of the world along a street paved with pink stone with red accents along the edges. The width of the street surrounded by walls is 23 meters. The height of the walls is 7 meters. Every two meters, a lion flaunted on the wall in a frightening pose.
However, all structures, no matter how strong and durable they may seem, sooner or later have to be reconstructed in order to preserve the historical heritage. Recently, German scientists decided to disassemble the structure and transport it to Berlin, where it will be reconstructed and restored to its former appearance. The structure itself, according to Berlin scientists, was built from 100,000 bricks.
Now in the Pergamon Museum you can look at the gates of the goddess Ishtar in real size and appreciate all the grace and beauty of this creation. They immediately tried to restore the famous Procession Road. Smaller elements of the Babylonian heritage are now scattered throughout the world. Many elements of cultural and material values can be found in the Istanbul Archaeological Museum, in the Detroit Museum, in the Louvre, etc. The Ishtar Gate in Iraq is used as a center of pilgrimage for tourists. Their height is 12 meters, and the structural elements are as close as possible to the original ones, and fully reflect the former life of the famous city, about which dozens of legends are composed.
You can now visit the Ishtar Gate in Iraq and Germany. The original restored gate is in Berlin and if you want to see it, welcome to Pergamon.
Connoisseurs of Babylonian culture and those who fully want to plunge into the atmosphere of the former world, welcome to Iraq .. The resort will show all the sights of our world!