The best Venetian palazzos. The curse of palazzo dario in venice palazzo venice
Venice is famous for its large number of palaces.
The palace complex of Venice was created over many centuries. Centuries of development and prosperity of the Venetian Republic fell under the influence of Byzantine, Gothic, Romanesque styles. The Renaissance made a huge contribution.
Historically, only the Doge's Palace could be called a palace. The rest of the buildings claiming this title had to bear the nameKa(Italian Ca ), short forCasawhich means home. Later, the mansions began to be calledPalazzo(ital.Palazzo), that is, the Palace.
Each influential Venetian family considered it their duty to build a mansion, maybe several. As a result, many mansions in the names began to reflect the names of the owners. For the construction and decoration of family palaces, families attracted the best architects, sculptors and artists.
Doge's Palace(ital.Palazzo Ducale) in Venice - great memorial Italian Gothic architecture , one of the main attractions of the city. Is located St. Mark's Square next to the same name cathedral . Although the first building on this site stood in 9th century , the construction of today's building was carried out between 1309 and 1424 presumably an architect Filippo Calendario. In 1577 part of the palace was destroyed by fire, and Antonio de Ponti, the creator Rialto Bridge
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Ca' d'Oro, or Palazzo Santa Sofia(Italian Ca "d" Oro) - a palace in Venice, on the Grand Canal in the Cannaregio area. It is considered the most elegant Palace on the Grand Canal. Vermilion and ultramarine were also used in the decoration. The palace is considered an example of Venetian Gothic.
The building in the Gothic style was built in the XV century, between 1425 and 1440, according to the project of the architects Giovanni Bona and his son Bartolomeo Bona. Commissioned by the patrician Marino Contarini.
Ka" Rezzonico- a palace in Venice, in the Dorsoduro district, on the Grand Canal. Since 1936, the palace has housed the Venice Museum of the 18th century.
Designed by the architect Baldassar Longena in the late 17th and early 18th centuries, construction was completed many years after his death under the direction of Giorgio Massari in 1745. The construction was commissioned by the patrician Filippo Bona. In the interior there are grandiose frescoes by Tiepolo.
The name of the palace comes from the surname of a rich, but not noble family, whose representative acquired this mansion by the time construction was completed. Pope Clement XIII came from the Rezzonico family.
Ca" Foscari or Palazzo Foscari, doge-ownedFrancesco Foscari, this gothic building is located on
grand canal It was built in 1452year. It is currently home to Ca' Foscari University (Università Ca "Foscari). Designed the building Bartolomeo Bon
Ka "Foscari is a typical example of the residence of the Venetian nobility and merchants. The ground floor was used as a warehouse, the first and second floors were used as a place of residence, they are called "Piano nobile". The central arcade of the second floor is made according to models facade of the loggia of the Palazzo Ducale.
Large central window arcade illuminates the Great Hall, there are smaller windows on the sides. It is one of the most imposing buildings with the largest courtyard of a private house that can be seen in Venice. The main entrance to the palace was from the side of the canal, since the main activity was trade.
That is why the facade of the house, which overlooks grand canal , much prettier than the façade on the courtyard side. The outer façade consists of a rhythmic sequence arches, columns and windows, these alternations belong to the Gothic style. Each column is decorated with a quatrefoil and a lion.
Palazzo Barbarigo- Palace on the Grand Canal, where Saint Gregorio Barbarigo was born.
The building was originally built in the 16th century. The palazzo was completed in the heyday of the Renaissance. The project provided for three floors: from the open lower loggia there was an exit to the canal, the two upper floors also had open loggias, decorated with columns.
In 1886, the owners of the building - the owners of the glass production, the facade of the palazzo was decorated with Murano glass mosaics. When the mosaics were completed, the then-new owners were denounced by their aristocratic neighbors as nouveau riche, with a sharp taste and decoration that ran counter to the noble facades of neighboring buildings.
Despite this, the current appearance of the palazzo is one of the most memorable and striking on the entire Grand Canal.
Palazzo Grimani- canal palace Rio di San Luca, at the point where the latter flows into the Grand Canal. It was built during the Renaissance, the modern look dates back to 1556-1575.
It was originally built for Doge Antonio Grimani. After his death, in 1532-1569, it was successively rebuilt by the heirs of the doge, first by Vittore Grimani, procurator general of the city, then by Giovanni Grimani, cardinal and patriarch of Aquileia. Presumably, Michele Sanmicheli performed the order of the latter in a row. The palace was finally completed in 1575 by Giovanni Rusconi. The door portal was designed by Alessandro Vittoria.
The palace consists of three parts and a small backyard. The facade of the palace is decorated with multi-colored marble.
Palazzo Dolphin Manin Palace on the Grand Canal.
Built in the middle of the 16th century by the architect Jacopo Sansovino. The Venetian merchant and diplomat J. Dolphin acted as the customer of the palace. The full modern name of the palace appeared after the last Doge of Venice, Lodovico Manin, lived in the palazzo from 1789 to 1797.
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Palazzo dei Camerlingi Palace on the Grand Canal in the San Polo area. Located next to the Rialto Bridge.
It was built in 1525-1528 by order of the Doge Andrea Gritti, as the house of the city treasurers, from which it got its name. Later became a state prison.
Palazzo Cavalli Franchetti- a palace in the San Marco district, on the Grand Canal, next to the Accademia Bridge.
It was built in the 15th century by architects K. Boito, J. Manetti. The palace was reconstructed, in fact completely rebuilt, in 1871-1882 with the preservation of late Gothic forms.
Palazzo Contarini del Bovolo is located in Piazza San Marco.
The palace was built in 1499 for Pietro Contarini. The main feature of the palace is an openwork spiral staircase (architect Giovanni Candi). The stairs lead to the arcade, which offers a charming panoramic view of the city's rooftops. Currently, the staircase is being restored and is closed to the public. The palace is located in a little visited lane near Campo Manin, not far from Rialto Bridge
Palazzo Corner Spinelli Palace on the Grand Canal in the San Marco area.
One of the finest Renaissance palaces in Venice. It was built from 1480 to 1500 by the architect Mauro Coducci. The architectural features of the palace are the double arched windows rounded at the top and the rusticated masonry of the ground floor. The palace became the prototype for many city buildings.
In 1542 the building was transferred to the Korner family. Under the new owners, the architect Michele Sanmichele completely redesigned the interiors of the palace.
The owner of the building in the 19th century was the famous Venetian collector Giuseppe Salom, who amassed a significant collection of paintings by Pietro Longhi and his contemporaries in the palace.
Ka "Loredan (Palazzo Loredan) a palace in the San Marco area. Built in the 13th century, located on the Grand Canal, between Palazzo Dandolo and Palazzo Farsetti. Since 1868, the municipality has been located in the palace.
Palazzo Soranzo- a palace in the San Polo district on the square of the same name.
The Pink Palace is made in the Gothic style. Across the square from the palace is the Palazzo Corner Mocenigo
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Fondaco dei Tedeschi- The palace is located on the Grand Canal, in the Rialto quarter. Former German farm.
Similar to the Fondaco dei Turchi, in the 16th century it was a building for housing, storage and trade for German merchants.
The palace was designed by Girolamo Tedesco. The building has a large courtyard. Previously, the facade of the palace was decorated with frescoes by Giorgione and Titian, who died during the fire of 1505.
In 1603-1604 Ivan Bolotnikov lived here. Having been captured by the Tatars, he was sold into slavery to the Turks, where he had to be a galley rower. Bolotnikov was liberated by German ships that captured a Turkish ship at sea. He was brought to Venice. Bolotnikov lived for a year in a German trading compound in Fondaco dei Tedeschi and learned German. Subsequently, the Germans, who then lived in Russia, served in his rebel army.
Currently, the building houses the city post office and telegraph office.
In early 2012, Benetton signed an agreement to restore the palace. Clothing manufacturer plans to turn it into a shopping center
Fondaco dei Turchi The palace is located on the Grand Canal. Former Turkish courtyard.
The building with covered galleries was built in the 13th century in the Veneto-Byzantine style. The palace was built in imitation of the most luxurious Middle Byzantine buildings of Constantinople, and in turn was the prototype for many Venetian palaces.
The name is associated with Turkish merchants, who rented the building as a warehouse and housing.
Initially, the palace was in the possession of the city, and it was here that the Emperor of Byzantium, who was visiting His Serene Highness, as well as many other eminent guests of Venice, were received. After the palace was owned for a long time by various wealthy families of Venice, from 1621 to 1838 it became the property of the Turkish community.
The building was completely restored in the 19th century and now houses the Museum of Natural History.
GALLERY OF VENETIAN PALACES.
FOSCARI.
Morolin.
Ca' Da Mosto
Ca" Vendramin Calergi(Now Casino)
HOUSEFrancesco Petrarca
House di Sebastiano Venier, comandante navale a Lepanto e poi doge di Venezia
Palazzetto Stern
Palazzo Barbarigo Nani Mocenigo
Palazzo Bellavite
Palazzo Bernardo
All photos from the Internet.
The Ca' d'Oro Palace (or Palazzo Santa Sofia) is popularly referred to as the "Golden House". This delightful building, which is a vivid example of secular Venetian architecture, is located in the historic district of Cannaregio, on the banks of the Gran Canal. The palace was built in the 15th century according to the design of the famous architects of Venice - Giovanni and Bartolomeo Bona.
During the construction of the palace, the most expensive materials were used - vermilion, ultramarine, multi-colored marble, cinnabar, and gold leaf was used to decorate the facade of the building. The arched vaults of the building are decorated with exquisite marble lace patterns. Thanks to the Gothic lancet arches, magnificent loggias and balconies, the palace seems fabulous and unique.
Today Ca' d'Oro is open to visitors. Here is the Franchetti Gallery, representing a collection of paintings and sculptures of the Middle Ages: works by Vittore Carpaccio, Sansovino, Paris Bordone, Tintoretto, Francesco Guardi, Van Dyck, Luca Signorelli and other famous masters. Also in the "Golden House" there are collections of frescoes, ceramics and other art objects.
Coordinates: 45.44116400,12.33463000
Doge's Palace
The Doge's Palace has been and remains the hallmark of Venice for centuries. After all, it was this building that opened the eyes of those who came here by sea. The rulers of Venice lived here, the Grand Council, the Senate and the Supreme Court met. From the balcony overlooking the Gulf of the Grand Council, the Doge personally greeted the guests arriving in Venice.
In the middle of the XVI century. Venice was already an almost fully formed integral urban massif. By this time, the area adjacent to the Palace of Rains and St. Mark's Cathedral was already completely ordered. The chaotic development of the quarter was eliminated thanks to the efforts of the Florentine architect Jacopo Tatti. The creation of the magnificent ensemble of Piazzetta has also been completed, which, together with Piazza San Marco, is a true gem of the center of Venice. That was the best place to build one of the most magnificent architectural structures city - the Doge's Palace, the residence of the lifetime rulers of the Venetian Republic.
The construction and decoration of the Doge's Palace lasted several centuries. Almost nothing remains of the original structure, built before 1000 on the basis of Roman walls and destroyed by fire. The building we see now was built between 1309 and 1424. The idea of the creators of the luxurious palace complex of Venice was to surprise foreign ambassadors, which is why the decoration of the interior of the palace, which was worked on by the best masters of that time, is so luxurious.
Palaces of Venice: history, location, exposition, cost of entrance tickets to the palaces of Venice.
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One can only guess what feelings the sailors experienced when they entered the Veneto lagoon after a long and dangerous voyage and saw in front of them the lacy galleries of the Doge's Palace, the center of power and finances of the Venetian Republic. During the Renaissance, its fleet ensured the safety of trade, the fate of European monarchs was decided in the huge Hall of the Great Council, the Venetian Doge, the head of the republican administration, annually sailed from the embankment on the Bucintoro palace ship to betrothed to the Adriatic.
Wealth was not shy here - beautiful palaces of the "new Venetians" grew on the Grand Canal. One of them is Ca'd'Oro, that is, the Golden House, aka the Palazzo Santa Sofia. There are no traces of gold leaf, which allegedly covered the entire facade for a long time, but the Gothic-Moorish architecture surprises with its peculiar elegance. The last owner, Baron Franchetti, was a connoisseur of beauty and gathered under his roof a rich collection of paintings, statues and carved furniture. After the death of the patron, the building, together with its contents, became the property of the city.
Ca Pesaro has an excellent collection of paintings from the late 19th and early 20th centuries. The exposition includes paintings by Bonnard, Matisse, Kandinsky, Klimt and Chagall, statues of Rosso. The eastern section is filled with collections of Japanese and Chinese art, collected by the owner of the palazzo, Count Balbi.
In the labyrinth of canals, it is worth finding the Palazzo Contarini del Bovolo - in order to admire the completely unusual external spiral staircase, attached to the building in the 15th century. The palace served as the backdrop for the filming of the film Othello directed by Orson Welles.
- Where to stay: for those who are heading to Venice for sightseeing purposes, it is good to settle directly within the old city, but it is expensive. More budgetary - on the mainland, in the town of Mestre, which is a 15-minute drive. For those who wish to combine beach holiday with excursions, the choice is much richer: this is the popular Lido di Jesolo, and its "younger brother" Bibione - one of the most prestigious resorts in the north of the Adriatic, and ideal for families with children Lignano, and its cheerful neighbor Sabbiadoro, as well as picturesque Caorle.
- What to see: Padua - the city of St. Anthony in the late Gothic style, Vicenza, where the great Renaissance architect Andrea Palladio "inherited" in order, "Venice in miniature"
On our last visit to Venice, we went to scrape the bottom of the barrel, to get what was left unfinished, and for this purpose we went to the Palazzo Cini. We landed from the vaporetto at the beginning of the "museum mile", at the Academy, and took a vigorous sprint pace towards the Palazzo Venier Leoni, also known as the Peggy Guggenheim Museum. Somewhere halfway between them, at Campo San Vio, there is the nondescript side facade of Palazzo Cini. All the most beautiful is hidden inside:
Facade overlooking the canal
Well at Campo San Vio
quiet campo
And this view was taken from a private bridge leading to the doors of Palazzo Cini.
The palace belongs to those who are engaged in a variety of humanitarian knowledge - the history of art, music, theater, dance, Venice and Venetian glass and other pleasant things. The fund is located on the island of San Giorgio Maggiore, so that it is in charge of both the monastery and the library with it, and Palladio with Longena, and Tintoretto with Veronese (stolen, however, by the French). A powerful combination of money and academic science.
The museum is not so large-scale, it occupies the palazzo, where Count Vittorio Cini himself lived, the owner of factories and steamboats, a major industrialist, collector and cultural trader. The palace looks as if it had just left: Venetian chandeliers, embossed velvet upholstery, carpets - everything that reflects the collector's personal taste has been preserved.
Chini's daughter, Yana, who donated her father's collection to the museum.
The count was the only one who collected in Venice a collection of art from Florence, her longtime rival. If you go up to the second floor by an oval staircase, 1950s art deco styling, five and a half rooms will open there with the best collection of non-Venetian art in Venice, mainly the Florentine and Ferrara schools.
There is Botticelli's "Judgment of Paris", Pontormo's "Double Portrait of a Man", the works of Italians - the harbingers of the Renaissance like Giotto di Bondone and Sandro Botticelli. From the early - trecento iconography, gold-colored polyptychs, painted wooden madonnas, carved cassonne chests, folds and caskets, Limoges and Venetian enamels, majolica, painting of the Quattrocento, High Renaissance and Mannerism. There are two Madonnas - the strict Piero della Franceschi and the gentle Domenico Ghirlandaio. The bold and provocative Ferrara school is represented by Cosimo Tura, Dosso Dossi and other artists from the retinue of the Dukes d'Este, astrologers and mystics who turned the city into one of the cultural centers of Northern Italy.
Of course, the collection, dominated by Ferrara and Florentines, is in a certain opposition to Venice and its school of painting, so the museum can be perceived as a family property of the Cini family, taken from their homeland.
The beginning of the embankment is a square with a monument to Victor Emmanuel II, the unifying king of Italy.
If you look to the left, you will see a bewitching panorama of the Venetian Lagoon and the Grand Canal...
You look to the right - there are magnificent marble palaces with columns and pointed arches. They were built on the banks of the Grand Canal for a long time, since the XIV-XV centuries. At that time, architecture was the main sign of the wealth and prestige of the Venetian nobility.
One of these palaces in the late Venetian Gothic style is the Palazzo Dandolo. This magnificent building once belonged to the Dandolo family, from where it got its name. But very soon the family members decided to sell the palace to another eminent family - Gritti, thereby launching a long history of sales and purchases of this palazzo.
A few words about the powerful Dandolo family, who gave Venice the four doges. One of them, Enrico Dandolo, became the inspirer and organizer of the fourth crusade against Constantinople. The events of that time are reflected on the canvas "Doge Enrico Dandolo calls on the soldiers to go on a crusade" by the artist Jean Leclerc, which hangs nearby in the Doge's Palace.
The Fourth Crusade remains one of the most shameful pages in the history of Christian civilization. The military campaign launched to retake the Holy Land ended in perfidious civil strife. The fourth crusade was planned for 1199, it was supposed to begin with a blow to Egypt, and then, if successful, Jerusalem itself would fall into the hands of the winners. But instead, the crusaders went to the Byzantine Empire and April 13, 1204 took Constantinople and sacked it.
So, it turns out, at the Doge of the Republic of St. Mark. in addition to political and economic considerations, there were accounts with the Byzantine Empire. Enrico Dandolo in 1171 was the envoy of Venice in Constantinople. And in Byzantium there was a custom to blind the subjects of other states, even diplomatic representatives, if this state came into conflict with the Greek Empire. In March 1171, Vasilevs Manuel I Komnenos (c. 1122-1180) ordered all the citizens of Venice who were on the territory of the empire to be suddenly arrested and their property to be confiscated. It was then that Enrico Dandolo lost his sight.
Jean Leclerc. Doge Enrico Dandolo calls on soldiers to go on a crusade, 1621
After Gritti, the palace was owned by representatives of the aristocratic families of Michele, Mocenigo, Bernardi. Apparently, the rich and nobles who bought the palazzo were simply not ready to pay for its maintenance. This continued until the 1630s, until the palace was acquired by the Italians, who made it the most popular gambling house in the city, introducing the rule to play in masks so as not to experience shame in front of those present with major losses. However, after some time, the casino had to be closed at the insistence of the authorities, and its owner had to flee.
The palace remained in the history of Venice, due to the fact that the first opera in Venice, The Stolen Proserpina by Claudio Monteverdi, was staged here in the early forties of the 17th century. Monteverdi at that time held the position of bandmaster in the Cathedral of St. Mark, which is a stone's throw from the palace. The Venice Opera opened only in 1637, and before that performances were held in private palaces.
Now the parking lot of gondoliers next to the palazzo is called Danieli, because the palace eventually turned into the famous Hotel Danieli. In 1822, the Venetian businessman Giuseppe del Nieli rented part of the premises of the Dandolo Palace. Renting rooms to a traveler, he gradually bought the entire building and turned it into a hotel, calling his last name - Danieli.
At the beginning of the 20th century, the owners, descendants of Giuseppe del Nieli, added another one to the main Dandolo palace. The new building received its own name Danielino. Later, a new building was added to the complex of two houses, which was called Casa Nuova.
At different times, celebrities - King of Prussia Wilhelm, Charles Dickens, Honore de Balzac, Marcel Proust, Charlie Chaplin, Greta Garbo - stayed at the hotel. In the 10th issue, which is very popular to this day, the romance between George Sand and Alfred de Musset broke out.
In 2008, the new Italian owners decided to restore all three buildings and invited the famous French decorator Jacques Garcia for this.
The interiors of the palace amaze with excessive luxury: Gothic arches and passages, wall paintings, patina mirrors, antique handmade carpets and tapestries, exquisite forging, Murano chandeliers and stained glass. A marble staircase covered with carpet goes up three floors.
Crystal sconces, bronze candelabra, Murano glass, Venetian mirrors, old paintings in gilded frames, antique palace furniture and heavy velvet curtains - there is nothing here.
These rooms can only be called a real museum of the Venetian Baroque.
In 2010, the hotel hosted the filming of The Tourist, starring Angelina Jolie and Johnny Depp. It was the 10th room that the heroes of the film chose, because from here, through the panoramic lancet windows and from the balcony, a stunning view of the Grand Canal opens.
Here Proust wrote "In Search of Lost Time". Perhaps it was on this terrace that Byron composed the lines of his future "Childe Harold". Thomas Mann and Wagner, Dickens and Strauss - all of them are remembered by the walls of "Daniel". But the most famous guests of the hotel were not great people, but great passions: here Gabriele D'Annunzio fell in love with Eleonora Duse, and George Sand cheated on Alfred de Musset.
Oh, this Venice - so many beauties, so many stories, so many passions, it beckons to itself with its uniqueness and inexhaustibility!
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